NEW YORK The love-him-or-hate-him reaction to Seth MacFarlanes turn as Academy Awards host is evidence that one of the most high-profile jobs in show business is becoming one of its most thankless.
The Family Guy creator and first-time Oscars host seemed unusually preoccupied with his reviews both before and during Sundays show. He predicted hed be ripped apart, and he was, particularly on social media. He also had his fans, with many suggesting the motion picture academy got precisely the kind of performance it expected and wanted in hiring someone known for his subversive, even crude humor.
As is often the case with the Oscars, the major awards themselves Argo as best picture, Daniel Day Lewis and Jennifer Lawrence as top actors hewed closely to pre-show predictions. The hosts performance is the most unpredictable element of the show, and it seems the negative experiences have the most mileage. David Lettermans awkward 2005 turn is well-remembered, most of all by him. Chris Rock tried to bring some edge in 1995 and fell flat. James Franco and Anne Hathaways snoozefest in 2011 is still being talked about.
After Franco and Hathaway the Oscars returned last year to the tried and true eight-time host Billy Crystal and faced criticism that the reliable had become the stodgy.
To some ears, MacFarlanes material which included a song-and-dance about breast-baring actresses, a domestic violence joke involving Rihanna and Chris Brown, and references to Mel Gibsons racial slurs didnt make the grade.
If youre going to the edge, you have to be funny, said comic Joy Behar on The View Monday. To me, I love Seth, but it wasnt funny enough.
Behars colleague, Whoopi Goldberg a four-time Oscars host had a bit more empathy, noting that people in MacFarlanes position have a tough line to walk. The Oscars cant force a younger audience to be interested just by hiring a younger host, she said, and a younger host has to know the audience that is out there.
Robert Thompson, director of Syracuse Universitys Bleier Center for Television and Popular Culture, agreed that MacFarlanes was a difficult position.
Your job description is that you are trying to appeal to people who are not necessarily watching the Oscars to get them to watch, and at the same time appeal to people who are actually watching it, he said. Thats not an easy thing to do.
Nielsen did not immediately have an estimate of the shows audience. Its preliminary indications were that the audience was similar to last years, but there was an increase in younger viewers.
The telecast was likely also propelled by the second screen experience, which has steadily grown in recent years as a driver of ratings for major live TV events. Twitter said that there were a total of 8.9 million tweets about the Academy Awards during the show and red carpet arrivals.
That fell short of both the Grammys earlier in the month (more than 14 million tweets) and the record 24.1 million tweets about the recent Super Bowl and halftime show.
Arguably MacFarlanes most offensive joke, measured by the audiences groans, referred to actors who had tried to play Abraham Lincoln over the years. I would argue that the actor who really got inside Lincolns head was John Wilkes Booth, MacFarlane said of Lincolns assassin.
In addition, a pre-taped song about movies where famous actresses displayed their breasts was seen by some women as sexist and a much-echoed criticism of MacFarlanes Oscar performance.
Watching the Oscars last night meant sitting through a series of crudely sexist antics led by a scrubby, self-satisfied Seth MacFarlane. That would be tedious enough, wrote the New Yorkers Amy Davidson. But the evenings misogyny involved a specific hostility to women in the workplace, which raises broader questions than whether the Academy can possibly get Tina Fey and Amy Poehler to host next year. It was unattractive and sour, and started with a number called We Saw Your Boobs.
On Monday, the Anti-Defamation League added itself to the list of those offended by MacFarlane, protesting his joke, through the teddy bear character in MacFarlanes movie Ted, about Jewish control over Hollywood. The bear, voiced by MacFarlane, claimed he was born Theodore Shapiro and I would like to donate money to Israel and continue to work in Hollywood forever.
MacFarlane seemed completely aware of what he was doing, and there were no indications he pulled any surprises. The motion picture academy granted him complete freedom to write the show as he saw fit but did see MacFarlanes routines ahead of time. The Academy had no immediate comment when contacted on Monday about MacFarlanes performance.
Some critics figured MacFarlane was in a cant- win situation. Brought on to deliver edge, and perhaps some of the younger movie audience that enjoyed Ted, he was little-known to a large portion of the Academy Awards audience. They didnt know his style of humor, either.
For a guy who had the deck stacked against him before he started, MacFarlane did a surprisingly impressive job, wrote critic Tim Goodman in the Hollywood Reporter.
Critic Frazier Moore of The Associated Press said MacFarlane went back and forth between the Bad Seth and Good Seth throughout the night and gave high marks to both.
Both were very funny, stewarding a broadcast that never went askew, Moore wrote.
Associated Press Writer Jake Coyle in New York contributed to this report.